That's quarter of the overall pixel count of 4K, in order to double the frame-rate.
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This targets a native 1920x1080 to sustain a smoother 60fps on PS5 and Series X. However, every pixel count returns a native 4K on this mode. There's a chance of dynamic resolution scaling here too. Temporal anti-aliasing is used on each, and it's the premier way to enjoy the games visuals. The quality mode runs at 3840x2160 on PS5 and Series X, capped at 30 frames per second. Patches were rolling out even during the process of reviewing the game, so maybe we'll see some improvement - and hopefully that will extend to an uneven performance mode found in the Series X and PS5 versions of the game.Īs things stand, PS5 and Xbox Series X are practically identical in visual settings: in foliage quality, effects, shadows - they're closely matched. All combined, these quirks distract a little from the strong production values of the rest of the package. Animations snap awkwardly while crawling, or climbing over objects too. There are lighting quirks during camera transitions, as the buffer fades in and out across characters. These include obvious streaming stutters, notably while flying into the first planet. For example, you can't overlook some bugs that have crept in at launch. Extremely good in fact, marred only by a slight lack of polish. It's a battle against the elements as we hop between moss-covered islands - where again, material work is stand-out. The second mission puts us under rainy, scorched skies, for example, while wind physics affect foliage. Later planets have wildly different biomes, of course. All round, there's a heavy art-driven approach to each area and every set-piece.
Lighting also brings out the sharp, specular layer on the pink rubble, a lot of which is destructible. Light shafts seep from behind pillars of dense scrapyard tech, giving the world a rich, opulent look. Materials come out beautifully in the midday sun. The Quarantine Zone, a planet of derelict machinery fused with a pink crystalline gel, is a perfect backdrop for the Guardians' first mission. It often looks stunning - and that starts with the locations. Based on the Dawn Engine, as used in Deus Ex Mankind Divided, Guardians of the Galaxy is a genuine treat, but how does it play out on the new wave of consoles?įirst off, I really want to stress that Guardians of the Galaxy is a genuine surprise, an exceptional game and a visual tour-de-force. It's all about you, playing as Peter Quill aka Star-Lord, haphazardly adventuring through a well-scripted story, chapter by chapter. There's no multiplayer, no online, not even co-op - and refreshingly, there's not the slightest hint of the 'games as a service' concept that sat so uneasily with Marvel's Avengers. Developer Eidos Montreal's take on Marvel's Guardians of the Galaxy brings us one of the very best story-driven games of 2021 - and it's great to see Square-Enix pivot back firmly to a single-player action game.
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